Archive for March, 2007

26th
March
2007

October! October! Why Is’t October?

Because the boys are on their bikes,
Because the boys are on their bikes!
The misery invites
And the misery invites
No drastic action!
Acceptance is admiration,
Admire your state!
Futility dances hand in hand
With your wilting lusts,
Your misplaced desires!
The way to go, the way to go
(Like you don’t know, like you don’t know)
Is bite the bullet, rope it, pull it,
Wrap it round your red raw throat,
Tighter tighter, you mustn’t smile!
Else hide your head in a rabbit’s hole.
He shouldn’t mind, by Frith;
Your fondest wish, you’ll get her goat,
And all because the red raw throat
Is tangled in the doorway
With the bloody briars;
For ’tis October,
the autumnal time,
When you must sup on
acorn wine,
And frolic in your fading and
Don’t light fires, listen to
Town criers
At the tolling of the bell
And at the bailing out of Hell,
October, dismal, never spoke
Your name before
So crisp, yourself lightly,
This is the lesser year.
When are we vacuous,
When more expansive
Than when falling,
Dropping metaphors and
listening to each other
without trying?
Ah, trying -
There’s a pancake worthless to toss,
And October leaves no survivors
Who fight her fading light -
Failing light,
The winter coming, endless night
Into your cloth
Seeps seed so deep,
Clawing and crawling into tubes,
Clawing and crawling;
Terrible mirth;
You’re broken since birth,
And all this said,
Don’t ship your misery
Into my waters,
Ship nothing to me but daughters
You’ve collected on the Earth.

Are you not sure now?
Is this your time?
Mocking little creeper bird,
You can’t reap October,
She’s poison;
Yes, poison, maybe, fearfully here,
You’re watching promises of the
Spring grown ripe (unfulfilled)
In the summer,
Slip in sullen frost
From the lunar landscape,
Autumn apples bear news not fruit,
Of cold, of lasting years.
New memories of the past,
It’s time for the big fast,
Bouncing and full skimmed,
A veritable spring, yet brown,
This is the landscape,
The soil-maid,
She pines, she’s poison.

Yes, October, you, and I’m addressing you,
Wing, first wing of the destroyer,
Bidden to wipe the slate,
Lick clean the plate,
And what is poison, then,
But the promise, the threat,
The promise to start again?

Wash and slacken,
Unbuckle those boards,
Of tired country dancing halls,
Ache yourself in,
Peel those shells,
This is memory time,
Break or forget your promises;
Your promises, your misery
Is a conifer
And you don’t tell secrets,
Nothing to October.

(from “Wolfblood”)

12th
March
2007

21st Feb 07 Podcast #4

Play the podcast with the controls above or click here to visit the archive.org page for the latest “Don’t Eat the Microphone” Podcast.

The recording is 1 hour 6 minutes in length, featuring a play by Tom Tábori and readings by Tom Coles, James Fountain, Suzi Higton, Drew Taylor amoung others. All of the conversational interludes are included, as is the competition around the half way mark. There may be some mild profanity.

 
icon for podpress  DEtM #4: Play Now | Play in Popup | Download
10th
March
2007

Fake Leather Jacket

The purpose of poetry, like any hunter-gatherer society before it, is
To fund a currency of truth &
Beauty.
In this vein sandwich is a conduit, a prism of
Idealism, one investibule
Lubricant to corsair,
Except inside a manor mia kirshner.
Resonant ants on a buyers road flip,
Just as global relevance during a changing
Primate scenario is a lower back to reach but
Must be done like
Many of the off
Spring of two.
If there are strings attached of coarse
Imaginings,
Not strings but little rings or
Bubbles, but let’s call them strings,
Then flags will flap to unisex;
Else go to stand/buy bigger branes.
What does the author say? What does
The author mean? And is
It true & beautiful?
Gluons are true,
Drugspills in loo queues beautiful,
In purple flesh tenements fazed snarls of a fake leather jacket faint;
Yet experimental verification lies beyond
Sour beans of
Intellectual tears & mythical
liverless comprehension. Poems are to produce
Meaning meaning with a capital ing.
Once we pound two poems
Smack dab in the idyll
Like matthew to
Dark
One query quits:
Does the poem make the most efficient and profitable use of available Resources?
This leaves us with, does this leave us with,
Where to smear the glycerine,
if not inside a manor mia kirshner.

10th
March
2007

14th March 07 - DON’T EAT THE MICROPHONE at STAVKA

“(DON’T) EAT THE MIC (ROPHONE)”
at Stavka from toadinmud.co.uk

WORDY PERFORMANCES AND OPEN MIC (green pastures),
poetry, prose, drama, music etc…

As we have been going on about for the past few “Don’t Eat the Microphone”s at the Queen Margaret Union, we are becoming vaguely nomadic. Probably once a month we shall be moving to the fantastic “STAVKA” on Sauchiehall Street. Stavka was the centre of the Soviet Military Command, pravda.

This coming Wednesday sees the first of such events. The format of the night is the same as always, relaxed and comfortable, though we will be having guaranteed performances from the wonderful Liz Lochhead, the Indie/Pop/Electro musician H-Bomb (http://www.myspace.com/harrybomb) and drama from ‘Stag’ and ‘Other Playwrights’. Of course we want to pack as much in as possible, so if you wish to perform either drop me an email at toad@toadinmud.co.uk or come along on the night with something to perform. All styles/formats/sentiments are wanted and nothing is inappropriate (though wearing a freshly skinned brown bear may turn some heads). I will do my best to be a little less rude than I usually am. After this performance there will be no more “DONT EAT THE MIC” until April the 4th. This is because my girlfriend is threatening to rend me into glue if I don’t come visit her some time, and my family are almost ready to have me declared legally dead and spread the ashes of an effigy across the North Sea in my place. If a subsitute makes themselves known, I will pass along the information via secure channels.

I hope you can all make it on Wednesday, it will be a lovely night and a bit of a bash. I know there are lots of essays due around now (dont I know it), but the beer will be cheap and we will definitely commisar-ate your woes. As always, we aim for more of a sociable gathering than a intelligencia meeting (though I’m sure someone will try and claim that language is inherently meaningless or some such tosh at some point), so you might find your less literary friends enjoying themselves as well. Spread it about like MRSA.
The Details
[...] “EAT THE MIC” [...]
8:30pm til late
Wednesday 14th March 2007
at STAVKA
in The Cocktail Bar (Top Room)
www.stavka.co.uk
373-377 Sauchiehall St,
Glasgow.
Google Maps


Thank you all,

THE ESTABLISHMENT
Tom Coles and Robbie Guillory

10th
March
2007

Candles

Purple for you, my dear,
The green ones mine,
Our colours for candles
You gave me on Valentines’.

Burnt to their ends they stand,
Either side of my room,
Their fires dead, and ours too.
In your candlesticks they loom.

5th
March
2007

Srebrenica

They say
That for the maximum effect
To avoid direct reference
How Auden in Musee des Beaux Arts
Talks about Icarus
In Brueghel’s painting and
How the rest of the world
Seems
To turn away as he falls to his death and
How the ploughman may
Have heard the splash, the forsaken cry
I recall another painting
As beautiful as Brueghel’s Icarus
A corn field
A pale blue sky
And a not so modern abstract
Like the eyes that looked up at Guernica
As the sky fell
Where the dogs go on their doggy life
And the torturer’s horse
Scratches its innocent behind on a tree
And I heard a splash
As Icarus fell.

(In 1995 7,000 Muslim men were executed at Srebrenica. The UN Dutch force who were supposed to be protecting these men ignored orders and handed them over to the Serbs.)

5th
March
2007

Romeo and Juliet

(Upon the arrival of The Royal Shakespeare Company in Glasgow.)

ROMEO: But soft
Whit light through yonder windae breaks
It is the East and my Joolie
Be hoff smeeked Sick and Pale
Her vestal Livery an abomination
Tae the stars. It be the mead
An none but fools kin take it in
Sich measure. She speaks but Kens
For nothing, her ee’ discourses
It Iznae me she Cries but tae
The yoyo in the sky.
But soft she speaks…

JULIET:

Zat yoo ROMIOOO.
Zat yoo ROMIOOO
Where ist ma fuckin can?

ROMEO:

O speak again fair maid !
As Glorious tae this night a Kerri oot
From the fair and Blessed heavens
O Speak again and Kill the envious moon
My love my love Speak again…
And Yet… And yet…
I remember my Juliet lying there…
A maid so sweet beyond all care
That I did love her and love her there
For love was Young with Locks so fair
But now tiz is a story of such woe
This tragedy…
This Juliet…
This Romeo


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